Scott Wollschleger (b. 1980) is a composer who grew up in Erie, Pennsylvania and now lives in Brooklyn, New York. His music has been highly praised for its arresting timbres and conceptual originality. Wollschleger “has become a formidable, individual presence” in the contemporary music landscape (The Rest Is Noise, Alex Ross). His distinct musical language explores themes of art in dystopia, the conceptualization of silence, synesthesia, and creative repetition in form. His music has been described as “apocalyptic”, “distinctive and magnetic” and possessing a “hushed, cryptic beauty” (The New Yorker, Alex Ross) and as “evocative” and “kaleidoscopic” (The New York Times). Much of Mr. Wollschleger’s music features a sense of “timeless lyricism”, something that influential avant-garde jazz pianist and blogger Ethan Iverson described as “the highlight of the disc” in his enthusiastic review of Mr. Wollschleger’s Brontal No. 3, on Barbary Coast, a 2014 New Focus Records release. His concert works can be heard across the US and the world, most recently featured at MATA Festival Interval Series, the International Music Institute at Darmstadt, and the Festival of New American Music in Sacramento. His critically acclaimed piano concerto, Meditation on Dust, was recently performed with pianist Karl Larson alongside Bang on a Can Festival fellows at the Massachusetts Museum of Contemporary Art. His apocalyptic monodrama, We Have Taken and Eaten, was recently featured on NPR’s Arts & Letters.
Upcoming and recent projects include commissions from andplay, Bearthoven, violist Anne Lanzilotti, Metropolis Ensemble with violinist Rachel Lee Priday in collaboration with the String Orchestra of Brooklyn, and Third Angle Music. His debut album, Soft Aberration, was released on New Focus Records in 2017. His next album, American Dream, performed by Bearthoven, will be released in 2019.
Following lightly in the footsteps of the New York School, Mr. Wollschleger received his Masters of Music in composition from Manhattan School of Music in 2005, where he studied with Nils Vigeland who himself Morton Feldman called “the most brilliant student I ever had.” Mr. Wollschleger has received support from a variety of organizations including New Music USA, BMI, New York Foundation for the Arts, and the Yvar Mikhashoff Trust for New Music. Mr. Wollschleger was a Co-Artistic Director of Red Light New Music, a 501c(3) non-profit organization dedicated to presenting and crafting contemporary music.
In addition to his musical ideas, Mr. Wollschleger frequently delves into the philosophical writings of Deleuze, Nietzsche, and Brecht and maintains an ongoing collaboration with Deleuzian scholar Corry Shores. Their recently co-authored thesis, Rhythm without Time, was successfully presented at the London Graduate School’s academic conference, “Rhythm and Event,”.
Mr. Wollschleger’s work is published by Project Schott New York.
photo by Emily Bookwalter © 2016